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A new system of sequencing triad arpeggios
Sequencing triad arpeggios has always been a special challenge on the guitar. This challenge does not exist for a piano or a saxophone player, but only for players of four or six string instruments.
Claus Levin – SCOTOMA course with special price just for you: $95 $35
Claus Levin – SCOTOMA
A new system of sequencing triad arpeggios
Sequencing triad arpeggios has always been a special challenge on the guitar. This challenge does not exist for a piano or a saxophone player, but only for players of four or six string instruments.
The Scotoma system of sequencing arpeggios completely annihilates this apparent problem for the guitar player.
The solution
This system introduces a new way of laying out the notes of any arpeggio on the fretboard and provides specific instructions on what techniques to use within these shapes.
The shapes are so flexible that the same sequence can often be played in more than one way and they provide a way to play the sequences at extreme levels of speed.
How are we going to do it?
The program is divided up into three parts. In the first part we will focus on the Scotoma system itself, the patterns, the techniques and the special little challenges we need to focus on and overcome quickly.
In part two and three, we will focus on expanding the fundamental system and on using the arpeggio sequences in different contexts. In each of the three parts you will learn super fast sequences that most people haven’t ever heard coming from a guitar before.
Part 1: Becoming A Triad Sequencing Master
The Scotoma techniques
Your first 4 Scotoma sequences
How to learn the arpeggio shapes fast
Part 2: Octave & Mirror Shapes
Creating massive arpeggio shapes
How to use mirrroring to double your options
4 new Scotoma arpeggio sequences
How to isolate and overcome challenges quickly
Part 3: Scale Note Shapes & Composing
How to add and use scale notes
The Scotoma string skipping technique
How to create arpeggio sequencing compositions
6 advanced Scotoma sequences
4 composition examples with tabs
Course Curriculum
SCOTOMA
WEEK 1
YOUR BLIND SPOTS & COURSE MANUAL (8:28)
THE REVELATION – PART 1 (6:35)
THE REVELATION – PART 2 (12:43)
HOW TO LEARN THE PATTERNS FAST – PART 1 (16:28)
THE TRAP OF NEW – PART 1 (7:21)
SEQUENCE 1 (20:57)
SEQUENCE 2 (24:53)
SEQUENCE 3 (13:05)
SEQUENCE 4 (13:55)
LEARNING SEQUENCES FAST (14:28)
SPECIAL CHALLENGES – PART 1 (5:11)
SPECIAL CHALLENGES – PART 2 (5:09)
SPECIAL CHALLENGES – PART 3 (11:53)
GETTING BIG RESULTS (8:22)
WEEK 2
INTRO (8:43)
OCTAVE SHAPES EXAMPLE 1 (11:28)
OCTAVE SHAPES EXAMPLE 2 (14:37)
SUS4&9 (14:00)
SEQUENCE 1 (24:33)
SEQUENCE 2 (11:01)
SEQUENCE 3 (15:54)
SEQUENCE 4 (15:50)
BONUS SEQUENCE (11:58)
ENDING (6:51)
WEEK 3
DOWNLOAD JAM TRACKS
INTRO (3:53)
SCALE NOTE SHAPES (3:58)
SEQUENCE 1 (18:32)
SEQUENCE 2 (23:13)
ADDING SCALE NOTES (3:30)
SEQUENCE 3 (11:08)
SEQUENCE 4 (7:55)
SKIPPING STRINGS (1:49)
SEQUENCE 5 (8:28)
SEQUENCE 6 (23:26)
ARPEGGIO COMPOSING (5:20)
COMPOSING EXAMPLE 1 (15:04)
COMPOSING EXAMPLE 2 (22:07)
COMPOSING EXAMPLE 3 (19:00)
COMPOSING EXAMPLE 4 (28:54)
HOW TO GET RESULTS FAST (11:23)
Claus Levin|Claus Levin – SCOTOMA|SCOTOMA
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